The Current Cinema
New Yorker film reviews.

In Two Films About Palestinian Struggle, Time Is of the Essence

In “All That’s Left of You” and “The Voice of Hind Rajab,” medical emergencies beget agonizing moral conundrums.

The Zealous Voyagers of “Magellan” and “The Testament of Ann Lee”

In two historical bio-pics, the directors Lav Diaz and Mona Fastvold employ bold formal devices to hold their protagonists at a compelling remove.

“Young Mothers” Is a Gentle Gift from the Dardenne Brothers

In Jean-Pierre and Luc Dardenne’s latest drama, set in and around a Belgian maternity home, several teen-age moms seek to break through cycles of poverty, addiction, and neglect.

“Marty Supreme” ’s Megawatt Personality

In Josh Safdie’s hectic new film, Timothée Chalamet plays a gifted Ping-Pong player who’s also a born performer.

The Lovably Fragile Exes of “Is This Thing On?”

Bradley Cooper’s latest film, about separated spouses played by Laura Dern and Will Arnett, is scrappy but soul-nourishing.

“The Secret Agent” Is a Political Thriller Teeming with Life

The Brazilian director Kleber Mendonça Filho conjures fateful interconnections among vivid characters living in the grip of military dictatorship.

“Hamnet” Feels Elemental, but Is It Just Highly Effective Grief Porn?

In Chloé Zhao’s film, adapted from Maggie O’Farrell’s novel, the death of a child gives rise to the creation of a literary masterpiece.

“Sirāt” Is a Harrowing, Exhilarating Dance of Death

In Oliver Laxe’s desert thriller, an intensely agonizing journey reveals both the pitiless nature of fate and the stubborn persistence of compassion.

The Bad Show-Biz Dads of “Sentimental Value” and “Jay Kelly”

In new films from Joachim Trier and Noah Baumbach, success in filmmaking proves depressingly incompatible with success in fatherhood.

Emma Stone’s Apocalyptic Showdown Blooms in “Bugonia”

In Yorgos Lanthimos’s film, ripe with eco-paranoia, the actress and Jesse Plemons come to physical and psychological blows.