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Critics on the Classics

A hundred years of great writing, curated for The New Yorker’s centenary.

The Shipping News

The Shipping News

The Shipping News
“Titanic” raises the stakes of the spectacular.
A House Divided

A House Divided

A House Divided
How the drama of Toni Morrison’s “Beloved” engages us in history.
Lo, the Poor Nymphet

Lo, the Poor Nymphet

Lo, the Poor Nymphet
A review of “Lolita,” by Vladimir Nabokov.
This summary is AI-generated.
The Vision of the Innocent

The Vision of the Innocent

The Vision of the Innocent
J. D. Salinger’s “The Catcher in the Rye.”
Orwell on the Future

Orwell on the Future

Orwell on the Future
George Orwell’s “1984” predicts a state of things far worse than any we have ever known.
The Wizard of Hollywood

The Wizard of Hollywood

The Wizard of Hollywood
M-G-M’s Technicolor production “The Wizard of Oz” displays no trace of good taste, imagination, or ingenuity.
Don’t Shoot the Book-Reviewer; He’s Doing the Best He Can

Don’t Shoot the Book-Reviewer; He’s Doing the Best He Can

Don’t Shoot the Book-Reviewer; He’s Doing the Best He Can
A god, talking in his sleep, might have written “Finnegans Wake.”
Far from Well

Far from Well

Far from Well
Our recurrent hero, Winnie-the-Pooh.